Some films look promising on paper, “Neelofar” feels like one of those. With Fawad Khan and Mahira Khan reuniting, expectations were naturally sky-high. But once the lights dim and the film begins, reality settles in quickly: this is a film that tries to soar but never really leaves the ground.
A Glimpse into Pakistani Sci-Fi – Pakistani cinema has been eager for a true sci-fi success story. Past attempts like Shaani (1989) and Sar Katta Insaan (1991) showed ambition but fell short due to technical limitations. More recently, Project Ghazi failed to make an impact due to poor execution. Hope
Wajahat Rauf’s directorial journey began with the refreshing comedy Karachi Se Lahore in 2015. However, his latest venture, Daghabaaz Dil, released this Eid, misses the mark. Starring Ali Rehman Khan, Mehwish Hayat, and Momin Saqib, the film attempts to blend romance, comedy, and horror but fails to deliver on all
Ali Sajjad Shah, aka Abu Aleeha, known for his experimental films on a budget, has made a name in Pakistani cinema with 12 films since 2019. Despite mixed box office results, his persistence proves that resourceful filmmaking is possible in Pakistan. His latest, Taxali Gate, delves into Lahore’s notorious Heera Mandi,
In Pakistani cinema, sports-centric films are a rarity despite the nation’s fervent love for cricket. Unlike across the border, where movies like Awwal Number, Jersey, Azhar, M.S. Dhoni, and Iqbal have successfully intertwined sports excitement with compelling human stories, Pakistan’s offerings have been sparse in this genre. Umair Nasir Ali,
