Guns and Gulaabs – Full Webseries – Review
The highly anticipated web series “Guns and Gulaabs” (GAG) is now streaming on Netflix, a treat for Raj and DK enthusiasts who’ve eagerly awaited their distinctive storytelling. Renowned for their offbeat execution, gripping narratives, and quirky character evolution, Raj and DK have etched a distinctive mark in the entertainment realm. From “Go Goa Gone” to “Farzi” and “The Family Man,” their universes brim with enigmatic characters exuding unpredictability, distinctiveness, and a dash of eccentricity, holding immense allure. Through “GAG,” the dynamic duo presents a seven-episode web series delving into the realm of Sherpur and Gulaab Ganj gangs, where lives intersect in unforeseen manners.
Rajkummar Rao, Dulquer Salman, Gulshan Devaiah, and Adarsh Gourav shine in this new outing. The series also features the late Satish Kaushik, Vipin Kumar, Nilesh Divekar, and Varun Badola, vital in weaving the intricate narrative.
At the core of “Guns and Gulaabs” are rival gangs from Sherpur and Gulaab Ganj. Their actions ripple through connected lives. Set in the 90s, the show evokes nostalgia, especially for those who experienced that era. Walkmans, cassette players, bikes, fragrant love letters, wristwatch craze—all captured brilliantly. Chapter titles like “Kasam Paida Karne Wale Ki” pay homage to 80s and 90s music and films, even playfully borrowing from Bryan Adams.
Guns and Gulaabs begins with a touching debate, two boys engraving their girlfriends’ names using a compass. A tender love story unfolds as a girl and boy connect while walking bicycles. Classroom dynamics, like the class monitor passing the badge, add nostalgia. Yet, integrating them with the main story occasionally feels forced.
Starting from childhood innocence and venturing into the shadowy world of gangsters and opium fields, the series weaves a tapestry of characters. From fledgling to fearsome, they’re linked by aspirations, dreams, and diverse lives, creating a resonant symphony on-screen.
Despite its intricacies, the core plot resembles a classic vanilla base—familiar yet somewhat simple. ‘GAG’ progresses like falling dominos, where Tipu, Jugnu, Arjun Verma, and Aatma Ram stand out. Each character adds a unique hue to the series, shaping the unfolding story’s canvas.
Raj Kummar Rao, a dependable gem, feels confined in “GAG”. Tipu, portrayed by Rao, teases unpredictability, yet his love escapades overshadow intended emotions. Rao’s prowess shines in intense scenes with Gulshan Devaiah’s Aatma Ram and reminiscing a rooftop moment, yet leaves audience yearning for more.
Dulquer Salman’s Arjun Verma in “Guns and Gulaabs” is as puzzling as a crossword. His disdain for ’90s remixes is a quirky delight. Though Salman fits the role seamlessly, the narrative choreography stumbles, leaving slight dissatisfaction.
Adarsh Gourav’s Jugnu is dangerously endearing, with actions mismatching his persona. Gourav excels, evolving as a performer with each role.
Gulshan Devaiah commands the stage in ‘Guns and Gulaabs’ with a silent power. Amidst scarce dialogue, he embodies his character’s subtlety and authoritative allure flawlessly. Wrapped in the ’90s ‘Sanju Baba’ look, Devaiah exudes intimidation and fascination. Aatma Ram’s enigmatic entrance and his line “Dushman Ke Liye Nahin, Style Ke Liye Hai” define his mystique.
Satish Kaushik, as Ganchi, crafts ordinary lines into extraordinary moments. His finesse shines in scenes with Arjun Verma, Sukanto, and the touching glass clink with his son Jugnu. Kaushik’s brilliance leaves a void, his departure leaving fans wanting more.
Final Verdict – Guns And Gulaabs:
Guns And Gulaabs delivers twists that grip, yet some come late. Initial episodes construct the tale and characters intricately. The story entertains but occasionally slows. Late plot elements may dilute climax impact. Raj and DK’s nostalgic focus slightly overshadows storytelling and character arcs.
- Performances
- Script
- Direction
- Entertainment






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