Media Magick » Divyendu Sharma

Amidst Tragedy: Yash Raj Films’ Debut Web Series, “The Railway Men”

Shafiq Ul Hasan Siddiqui — Thu, 30 Nov 2023 19:20:50 +0000

Yash Raj Films, renowned for its iconic cinema spanning emotional dramas to action-packed thrillers, ventures into the realm of web series with “The Railway Men” (TRM) on Netflix. Directed by debutant Shiv Rawail and written by Ayush Gupta, TRM draws inspiration from the tragic Bhopal gas disaster, a subject previously

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Mirzapur 2 – Flawlessly Surpassed The Expectations

Shafiq Ul Hasan Siddiqui — Fri, 23 Oct 2020 14:39:38 +0000

No one can deny the fact that the kind of rage and craze that Mirzapur created after its release was phenomenal. Mirzapur released on Amazon Prime in 2018 and became an instant hit. The audience couldn’t stop but praised the web series for the performances, narration style and direction. Dialogues

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Mirzapur – Engaging Yet Stirring With Hits And Misses

Shafiq Ul Hasan Siddiqui — Tue, 20 Nov 2018 05:18:42 +0000

Web-series are game-changer for filmmakers and storytellers, after the popularity of Sacred Games on Netflix and Inside Edge by Amazon Prime, the latter is back with another web series Mirzapur. Mirzapur was under discussion for quite some time i.e. immediately after the launch of its trailer. Fans of off-beat cinema

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5 Reasons Why You Shouldn’t Skip Mirzapur

Shafiq Ul Hasan Siddiqui — Tue, 23 Oct 2018 14:36:34 +0000

Recently the trailer of Indian Original Series titled Mirzapur for Amazon Prime Video was released; the trailer is without a doubt spectacular. If not for all but definitely for those who like performance oriented, subject oriented and realist entertainment. If anyone is a fan of Gangs of Wasseypur, Omkara, Company

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Batti Gul Meter Chalu – A Lousy Courtroom Drama Fails To Create Impact

Shafiq Ul Hasan Siddiqui — Tue, 25 Sep 2018 05:16:57 +0000

In Bollywood, these days, subject oriented and message-centric films are under fashion. Movies which have a message for the masses and the classes are produced largely and the fine line between commercial and parallel cinema is sort of fading away. After Toilet – Ek Prem Katha, director Shree Narayan Singh

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